BAFTA
Friday, 4 November & Saturday, 5 November
Films and Discussions
Alina Marazzi Un’ora sola ti vorrei (2002, 55 min, Italy) &
Erik Bäfving Boogie-Woogie Daddy (2002, 13 min, Sweden)
Chairman: Paola Golinelli
Discussants: Alina Marazzi, Erik Bäfving, Roberto Goisis and Franziska Ylander
Suzanne Osten The Guardian Angel [Skyddsangeln] (1990, 108 min, Sweden)
Chairman: Cecilia Hector Discussants: Suzanne Osten, Anders Almegård
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Keren Yedaya Or [Mon Tresor] (2004, 100 min, Israel)
Chairman: Emanuel Berman Discussants: Keren Yedaya, Shimshon Wigoder
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Matteo Garrone Primo Amore (2004, 94 min, Italy)
Chairman: Paola Golinelli Discussants: Matteo Garrone and Maria Vittoria Costantini
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Christian Petzold Wolfsburg (2003, 90 min, Germany)
Chairman: Gerhard Schneider
Discussants: Christian Petzold et al.
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Klaus Härö Mother of Mine (2005, Finland)
Chairman: Christel Airas
Discussants: Klaus Härö, Barbara Mattson
--------------------------------------------------------------------------------Lectures/Panels/Workshops
The Glen Gabbard Lecture: ‘Methodology in Psychoanalytic Film Criticism’
Chair: Don Campbell
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New interpretations of Luis Buñuel’s Un Chien Andalou (1928, 16 min, France): Andrew Webber and Peter Evans
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‘ Cinematic representations of aging’: Diana Diamond (‘François Ozon’s Under the Sand [2000, France] & The Swimming Pool [2003, France]); Alexander Stein (‘Sylvain Chomet’s Belleville Rendez-Vous [2003, France]; Lissa Weinstein on ‘Narcissistic Fantasies in Jan Troell’s The Flight of the Eagle [1982, Holland]’)
‘ Intergenerational Transmission: The Holocaust in Central European Cinema’
Chairman: Earl Hopper
Discussants: Catherine Portugues et al.
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‘ Time reversed’: Ian Christie and Carol Topolski on Irréversible(Gaspar Noé, 2002), Je t'aime, Je t'aime (Alain Resnais, 1968), Mulholland Drive (David Lynch, 2001)and Come and See (Elem Klimov, 1985)
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‘ Compilation films, memory & working through’
Glen Gabbard, Laura Mulvey and Andrea Sabbadini